Versatile Rapper, Edem, has stated in an interview on e.TV Ghana’s ‘The Late Nite Celebrity’ Show’ that the Ghana Music Rights Organization (GHAMRO) pays him royalties once in a blue moon.
‘’GHAMRO pays me royalties once in a thousand years. But I mean it is a start, its nothing you can write home about.”
‘’If as an ‘A’ list artiste, you get a cheque of GHS 700 in a very long time, it is very bad,”’ he lamented.
He, however, admitted that without proper legislation, there is little GHAMRO can do about the collection of royalties.
‘’GHAMRO collects royalties for artistes registered under them. But if a law comes from parliament and directs radio stations to pay a certain amount to artistes, they will pay,’’ he noted.
The host of ‘The Late Nite Celebrity Show’, Foster Romanus, reminded Edem of a similar legislation enacted by parliament to collect TV license fees from Ghanaians but that law did not materialise because the people vehemently resisted the payment of TV license.
Edem explained that the scenario with TV licence fees is not the same as the payment of royalties.
’’TV license fees was to be paid by individuals. But royalties are paid by bodies that use music on a large scale. People play music at parties, DJ use the music and hotels also use the music. There should be a way to enrich the artistes as well,’’ he stated.
But he was quick to add that it cannot be an issue of one size fits all ‘’But it shouldn’t be a flat line. If Foster has a hit record and his song is played 10 times and Edem’s song is played two times, there is no reason why they should take the same amount. Foster should take more, that is where the law comes in,’’ he explained.
He also cautioned that the issues of royalties are dicey and must be treated with uttermost care.
“Royalties are so delicate and they should be in the hands of something that has rules made by government and only implemented by statutory bodies in law. Once it gets in the hands of private enterprises or individuals, it will be agenda driven. So I think a law should manage it,’’ he stated.
GHAMRO was established under section 49 of the Copyright Law, Act 690 of 2005 and regulated under L.I. 1962 of 2010 to collect and distribute royalties accruing to authors and owners of copyright and neighbouring rights.
GHAMRO is a non-profit corporate body (limited by guarantee) and therefore all fees collected are distributed among the right owners whose works have been used, in this instance composers, authors and producers, and publishers in proportion to the use made of their works.
Kofi Kinaata – Never Again feat. Shatta Wale (Official Video)
Dance-hall Diva, MzVee Revamps With New Single.
Popular Ghanaian Afropop and Dancehall Singer, Vera Hamenoo-Kpeda known in showbiz as MzVee on Monday, January 6, 2020 exclusively previewed her first new single ever since she exited Lynx Entertainment.
With an exclusive interview with Berla Mundi on TV 3 Network’s morning show “TV3 New Day” she revealed her main rational for almost quitting music and cleared the thoughts of all speculations regarding her exit from the label, a depression state that almost took her away from music and she had to fight through with the help of family and some friends. She revealed her relationship with Lynx Entertainment is very good and terms of contract favored each and everyone.
MzVee is currently up to embark on her musical career as she has currently built her team of able workers and ready to reckon. Currently up for release is “Sheriff” which will be accompanied by an official video on its release date. Also, she mentioned a possible album with strictly Reggae/Dancehall and for Afropop.
Kindly listen to the preview below and keep tabs on this page as we bring you the official music of “Sheriff” by MzVee;
British High Commissioner Calls For More Live Reggae Events
The British High Commissioner is concerned about the lack of live Reggae events in Jamaica.
British High Commissioner to Jamaica, Asif Ahmad has expressed disappointment towards the lack of live Reggae events around the island.
According to Ahmad, there are simply not enough live events, especially in Kingston, which is the birthplace of the genre.
“It’s very rare that you hear live Reggae music. Yes, there are Reggae festivals and for tourists in the big hotels… but the essence of creation of the music, the lyrics, the poetry, the rhythm that goes with that music, all of this has to be revived and cherished again,” he lamented.
“People are talking about Port Royal developing, but why don’t we have music cafés? People are talking about food and other places of entertainment, but why can’t we have squares, food courts with a platform where musicians can perform?” he posited.
In the last few months, similar concerns have also been echoed by dozens of musicians.
According to them, there are simply not enough entertainment spaces within Kingston to facilitate growth in the genre.
They claim that the government is also not doing enough to promote Reggae music or capitalizing on its earning potential.
Back in 2015, Kingston was declared a Creative City of Music by the United Nations Education, Scientific and Cultural Organization (UNESCO).
Despite this, however, musicians say they still find it difficult to access spaces for musical events. This is one of the five essential elements of establishing a Creative Cities of Music.
King Promise Claims The Second Spot As The Most Streamed African Artiste In Nigeria.
LAGOS STATE, NIGERIA (www.georgebritton.com) - Ghanaian highlife and afrobeats singer-songwriter, Gregory Bortey Newman, who goes by the stage name as King Promise has, according to statistics from Boomplay Music, been ranked as the second most streamed African recording & performing artiste in the Nigeria (excluding Nigeria artistes).
The annual stats for Nigeria, which showcases the music trends and artistes that defined the year in Nigeria based on facts has it that, King Promise enjoyed constant internet play from indigenous Nigerian music lovers and internet users. He follows the late South African reggae musician and Rastafarian, Lucky Philip Dube, popular christined Lucky Dube who secured the first spot.
However, in the same African Most Streamed artiste, (except Nigerian artistes) category, other Ghanaian musicians also secured a spot in the 10 slots ranking. BET Hip Pop Best International Flow Award-winner; Sarkodie, BET International Act of the Year; Stonebwoy, one time VGMA Artiste of the Year; Shatta Wale and VGMA Highlife Artiste of the Year; Kuami Eugene were also ranked in the 6th, 7th, 8th and 9th position respectively.
In the Most Streamed album category (except Nigeria artistes), the media streaming and download service developed by Transsnet Music Limited currently with 62 million ranked King Promise in the 8th position with his album, As Promised, enjoying most of the streams in Nigeria. He was followed by, Kuami Eugene's 2018 released album, Rockstar, that was also placed at the 10th position.
In the most streamed African Song category (excluding Nigeria artistes), King Promise’s Tokyo (featuring Wizkid) claimed the 2nd spot for most-played song while, Jama (featuring Patoranking and Shaker) by DJ Mic Smith, secured the 3rd spot. Do You (featuring Mr Eazi) and Lucky (featuring Rudeboy) by Sarkodie claimed the 6th and 7th most played song respectively, Stonebwoy's Shuga (featuring Beenie Man) secured the 8th spot and Becca latest single, Yes I Do (featuring Tiwa Savage) claimed the 9th spot for the most streamed song, all in Nigeria.
The year 2019 has been an amazing one for many Ghanaian artistes with total music plays rising per user-generated playlist globally, a very significant increase when compared to previous years. Reggae/Ragga & Dancehall, Afrobeats, Afropop and Afrofusion were the most listened-to genre that dominated 2019, but Gospel music experienced a steep increase - with Sonnie Badu being the most streamed Ghanaian Gospel artiste.