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Bisa Kdei Entrenches Sovereignty Over Highlife Genre.

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Renowned crooner and producer, Bisa Kdei, has said it will be difficult for any musician to break the record he has set in the hiplife/highlife space.

Bisa, who is considered by many people as contemporary highlife king due to his multiple award-winning feat made the point while granting an interview to a Canadian reporter over the weekend.

The young highlife musician who has a series of hit songs to his credit and repertoire said, “even after my death, no highlife artiste would be able to undo my lifetime record of taking highlife music and its culture abroad.”

Immensely worshipped in Ivory Coast and other francophone countries Bisa Kdei is the first youngest Ghanaian highlife artiste to break the difficult international market with Ghanaian cultural highlife genre of music.

Bisa Kdei has hits songs such as ‘Mansa’, ‘Brother Brother’, ‘Baba’, ‘Odo Carpenter’, ‘Apai’ amongst others to his credit.

Even though Kdei has acknowledged the presence of some young highlife artiste in Ghana currently, he also made it clear that it was impossible for any of them in his generation to do what he has done for the genre.

(Source: ghanamusic.com)

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EnnWai – Good Reason(Prod By KingSkonk Mixed & Mastered By Short)

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KayNu – Hustle (Prod.by UnkleBeatz)

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DJ Neizer & Kojo Manuel Inspire Kumasi With Music At Road To Detty Rave Concert

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The Road To Detty Rave show in Kumasi, was headlined by Sarkodie, Joey B, King Promise, Shaker , Kojo Cue, Fameye, Tulenkey and many more but one of the big highlights of the night was DJ Neizer’s spiritual yet inspirational session with Kojo Manuel.As an accomplished and working engineer plus DJ, Neizer has combined two very tough lives and is excelling at both, a point the MC for the Road To Detty Rave Concert, Kojo Manuel expressed and used to inspire the students on being whoever they want to be, because they can.

With the lights off and the thousands of students had their phone lights on, DJ Neizer proceeded to play prayerful songs including Kwesi Arthur’s Pray for Me which had everybody singing along with emotion before switching to an energetic back-to-back jams that had the thousands of fans jumping and screaming all night.The 2017 Campus DJ of the Year definitely has the Midas touch

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“I’m The Only Serious, Business Minded Artiste In Ghana. – Shatta Wale

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Award-winning dancehall artiste, Shatta Wale, has explained that his constant criticism of his fellow artistes and for that matter, the Ghanaian music industry is because of his desire to see the industry thrive on the global stage.

According to him, the attitude and mentality of his colleagues do not depict people who are serious-minded and business-focused. In a television interview on Metro TV’s Good Evening Ghana programme, Shatta Wale said although his criticisms are hurtful, they are the hard truth.

“My criticism is for change in the industry; change of attitude and mentality towards our work. I believe most of them are not serious when it comes to music. People have sung since time immemorial and have made people see musicians as band boys and so we are not taken seriously.

“I’ve taken music seriously so when I see some artistes pretending that life is good for them, it makes me feel that pain. Osibisa was one of the successful groups globally. When it comes to my colleagues, we have not taken music serious,” he said.

Explaining further, Shatta Wale, known in real life as Charles Nii Armah Mensah blamed the media for compounding the problems in the music industry. According to him, the media has over hyped musicians and have created the impression that “they’ve made it.”

“Presenters make them feel swollen-headed even with a single song and so when they move out there they move with some hype and they think they’ve made it. I’ve been there before. When I came out as Bandana, that was the same thing I went through. But I was living in a single room and I wasn’t making money,” he said.

According to him, what hurts him most is that some of these musicians who are seen playing on the international stage are paid as low as £100 and £200.

“Some of these artistes are paid £100, £200. You’ll see this person is travelling and I go like, when you went there how much money did you make? Do not lie to the next generation. Do not let them feel like travelling and meeting people out there is the business. The business is how much money are you putting in your pocket? How much are you saving? Cos we are all growing…it’s a seasonal thing.

“I’ll grow one day and see that at this age I have to stop doing music so when I stop what am I going to do? So, I’ve started now, doing businesses here and there. If you think that this is going to be forever… that is why you find old musicians coming out and complaining and it makes me feel sad,” he lamented.

In 2018, Shatta Wale was billed to perform at the Confederation of African Football (CAF) Awards held at the Accra International Conference Centre but he failed to turn up.

Explaining why he did not perform at the awards, he said he had no contract with CAF and that he wanted to prove to them that “I’m a very serious artiste who takes his business seriously.”

“CAF didn’t sign a contract with me. They didn’t link any of my management team so when that whole thing came up I was a bit surprise that how come they would want to pay me some money without contract.

“It wasn’t because they paid my Nigerian counterparts more than they offered me. It wasn’t because of the Nigerians. I wanted to show them that this is a serious artiste who takes his business serious. If you wanna put me on a show there are procedures that you have to go through,” he explained.

In his opinion he is the only serious musician in Ghana and it was evident from his collaboration with American singer, Beyonce

“I’m very, very serious,” he said.

Asked if there was no other person in the industry he would consider serious, Shatta had this to say: “I don’t know who to mention. I can’t mention any.”

“What I’m saying now is the truth and it’s the hard truth. They will find it difficult to understand. All those names you are mentioning they are names that I have spoken to and I have educated them on how we should move this music thing,” he explained.

According to him, a serious artiste does not “chase” foreign artistes for collaborations.

“All those artistes you are mentioning are chasing Nigerian artistes. I don’t go chasing Nigerian artistes. They come to me. They love me for the work I do so they come to me with a good heart. It’s not just about talent. I take my business serious.

“When you know what you have, you’ll always sit down and wait for the right time. Like I waited for Beyonce’s collaboration to happen,” he added.

(Source: graphiconline.com)

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